Friday, August 7, 2015

Cruising the Mediterranean. Part 2 - Mykonos

Bear 389 Mykonos




Mykonos, Greece, July 20, 2015

We docked around one pm and a bunch of us set off into town around two. We got on a Blue Line bus without knowing if it was the right one. We figured we'd all be together, so it would be an adventure. The wind howled when we got off (in the right place) and blew my brand new camera right out of my hands. For a moment I felt defeated. The second camera in three days broken? And this one not even paid for yet?

By the time I recuperated from the nauseating feeling of failure, tested the camera, found out it still worked, and made my way toward town, everybody I knew had disappeared. As I walked along the water front, the little beach for the "commoners" some small shops and a few eateries I realized that this wasn't the area that attracted celebrities. It definitely wasn't the area the Kardashians had frequented in 2013. I had seen somewhere online that the Mayor of Mykonos had tried to pay them to stay away, but they came anyway. Well, they must have been in the "upper part."

Over the next couple of hours I covered the first layer of town, not really wanting to do a lot of climbing. What I wanted was right there, white houses, blue fences, a little church, some colorful flowering hedges. A cat. And lots and lots of people being pushed to the sides of narrow streets by impatient mini cars.









In following the cat I entered some of the less crowded side streets/alleys where old, worn and rustic no longer competed with modern and tourist compatible. It was, actually, at least to me, the real Mykonos, the one that fought an icy wind in the winter; where neighbors shouted from stoop to stoop, late in the afternoon, communicating their irritation with the European Union. It must be the place where old people, frustrated with modernity bemoaned the closing of banks and lack of groceries. Shifting my attention from old water faucet to tiny parking spaces, steep stair cases, and narrow balconies, I aimed my camera into every direction, before I reentered the shopping paradise and its eager patrons.



I enjoyed a brief sit down in front of one of the little churches and even considered buying a t-shirt, but dropped the idea when yet another small pick-up truck forced me to squeeze against a wall.



O.k. a few more pictures of vendors, anglers, and sun bathers along the sandy beach. Some distant landscapes, winding along the mountainous terrain. Then back to the ship. And this time I made sure the windshield of the bus displayed the typed message "Equinox shuttle."







Monday, August 3, 2015

Cruising the Mediterranean. Part 1 - Istanbul

Bear #388 named Sophia




July 18, 2015

The soul of Istanbul lives in a small square , off Divanyolu Caddesi, near the Blue Mosque and Hagia Sophia. I see it, fluttering in the wind, hovering between tiny red and white flags.


Behind me old men kneel on their carpets, praying. In front a young man in jeans holds his very long selfie stick high up into the air, including a group of friends and the waterfall as background to his enthusiastic, celebrant face. Young women in black from head to toe chat and smile at the baby girl in her stroller. A kiosk operator lines up rows of roasted corn. Giggling preteens in summer dresses, flower wreaths on their heads, dip their feet in the fountain. I see hot pink sneakers, bare feet in sandals, black high heels, loafers, and plain white tennis shoes walk by. Heads are covered in shiny turquoise or black or flowery head scarves. Cell phones are pressed against ears by big bosomed mothers and tiny grandmothers. A t-shirts with the slogan "Today will be great" dances on a skinny teen's chest. A pregnant tummy is graced with "C'est bon."
Families, friends, singles, old and young, locals and visitors, all mingle in the festive atmosphere of Eid al-Fitr, Feast of Breaking Fast, the three day festival called "Ramazan Bayrami"

I think this must be Istanbul at its very best.









Classical Istanbul by Cane. July 19, 2015

It was Sunday, the last day of the Ramadan festival that had closed the Grand Bazaar and had brought what seemed to be most of Turkey's families to the mosques in Istanbul.

I had had a great night. Deep relaxation. No leg cramps. No nightmares. Through the wide open glass door to my balcony, cabin 6224, I had watched crowded ferry boats head toward the Asian side of Istanbul, and had listened to singing party goers in yachts enjoying their travels through the Golden Horn. Old Istanbul, across the Bosphorus, was bathed in a glitter of lights while my home for the next seven days, the Celebrity Equinox, like a dark giant, sat silently in the pier at the edge of the New City.

When I woke at five in the morning I felt refreshed. I knew a breakfast buffet would soon be waiting for me on deck 14, and by ten to six I was packed for the Classic Tour of Istanbul and ready for croissants, fruit, and coffee. After my early breakfast I bought two huge bottles of water, one to take on the tour and one to keep in my cabin where I watched the morning news until it was time to assemble in the theatre.

There were thirty six of us; we each were given a pink sticker with the number 13 - the number also displayed on our bus - to wear for the day. Instructions followed on how to get to the bus outside the security area. After crossing the Galata bridge we drove along Kennedy Drive into the center of Old Town. The beautifully serene area between blue Mosque and Hagia Sophia that I had witnessed the day before had changed into a bus depot, surrounded by a throng of visitors who rapidly moved from station to station, listened to the words of their guides through ear phones, backing up to take pictures of the famous places we were all here to see.

A long line snaked around the Blue Mosque. Men in shorts received a wrap around, light blue, skirt type garment to conceal their legs; women without head and shoulder covering had to put on light blue head scarves and dark red long robes. Those of us who had brought our own long sleeved tops and scarves quickly pulled them from our bags and readied ourselves. I barely recognized a man I had met earlier on board the ship; he had promised to "look out for me" when I had voiced my concerns with the tour that was advertised as "strenuous." His wife struggled with her robe; he kept trying to pull down the front while I tugged on her backside until she all but disappeared in the unwieldy garment. Eventually her arms reappeared and she began to turn her camera toward the Muslim men who were washing up in preparation for entering holy ground. Meanwhile Hava, our tour guide, explained the ritual and its origin in detail.

Minutes later I faced my second challenge of the day, climbing the steps of the mosque. I had already passed my first test, entering and leaving the bus, by holding on to rails while always placing the tip of my cane one step ahead of me. There were no rails for the mosque entrance and the steps were steep.

"I can do this!"

By the time I had conquered the twelve stairs, one step at a time, I was drenched in sweat. Inside I saw the woman in a wheelchair who had been seated in the first row on the bus. Her son and husband took turns pushing her from place to place and had been routed through a different entrance.. We started talking. She offered to hold on to my backpack. Her son, throughout the day, would hold me by the elbow when he saw that I struggled with a staircase.

I probably should have paid more attention to the guide's words about the history of the Blue Mosque. Instead I watched the rather modern obsession with selfie sticks. Many, many cell phones shot into the air to capture one, two, three, even more people in a group, showing as background the interior of the Mosque. When, I wondered, has it become background?
And why is it important that the taker of the photograph be part of the scene? Does social media dictate that an adventure is only real if you can prove your presence with a toothy smile or a pouty mouth? Is it narcissistic to take selfies, I wondered. And why do the shooters so often move backwards without regard to the traffic behind them? I know, they are probably zooming in on the background, the blue tiles, the iconic design, the ancient beauty, while adjusting their own facial expressions.

Anyway, through the pearls of sweat dripping from my eyebrows, I eventually did try to concentrate on the mosque and its history. But my red-hued silky scarf did not breathe, and my capacity to focus on cultural and religious traditions behind separation of men and women during prayer was diminished by the combined force of male and female tourists crowding each other and me on limited floor space. By the time Hava encouraged our exit the significance that I now have seen the Blue Mosque and can claim it as one of my adventures was enough to let out a sigh of relief. I knew that I would have benefitted more from silent observation, from standing in a corner, by myself, reflecting on the purpose of this religious gathering place, but I can go home, google the details I missed, and nod my head when I see a scrap of information that I remember.
"Yes! That's true. I saw that!"

Didn't Hava mention the design of the carpet, the way it allows feet and knees and head of each man to align with the one in front and beside him? Fairly close positioning. That's why feet need to be washed before entering the mosque.

I watched a young man in our group get down on his knees to fit his tall body into the predetermined position. He carried his sandals in the bag that Hava's agency provided for us. He was barefoot and the soles of his feet certainly did not pass the cleanliness test. I smiled; some religious rules do not apply to tourists.

As we passed the exit door I ripped the scarf from my head, wiped my forehead, unzipped my sweatshirt and stuffed it into my bag. Then, facing the steep stairs, I felt a wave of dizziness; I quickly looked away. Going up a flight of stairs might be a difficult task for me now, because osteoarthritis limits the flexibility of my legs, but it seems to be a predictable limitation. Given the chance to hold on to a device of some sort, the cane, an arm, a wall, a railing, I can pull myself up. My upper body, my arms are strong. And even without support, if I failed, I assume I would stumble forward, eventually hitting the stairs. Not desirable, but not life threatening. Going down a flight of stairs is much more dangerous. Unpredictable.What if an ankle, a knee, a hip joint suddenly refuses to do its job?

Without starting my descent I slowly, cautiously, moved sideways, tried to get closer to the wall on my right. Around me other tourists continued to pass me. When I reached the wall I placed my hand flat against it and step by step I advanced. First the cane then my right foot, then my left foot, then the hand on the wall. A young couple sat close to the wall four steps from the bottom. I would have to let go, maneuver to the left, around them. Just then the woman looked around, gave her companion a nudge, whispered something into his ear. They both stood up. He came toward me and said,
" Let me help you!"
I let go of the wall, hooked my right hand into his left elbow and easily made the last four steps.
" Thank you so much! That was very nice of you!"

As I walked toward Hava and her orange umbrella with the number 13, waiting down the street, I thought that, across cultures, religions, time, and place, a thread of human kindness connects us, still. In spite of the heat, the crowd, the ever present stream of facts coming through the receiver, I felt encouraged, hoisted myself into the bus, looked forward to the next adventure.


After a short ride we arrived at Matis, a carpet factory in close proximity to the Grand Bazaar. The covered part of the bazaar was closed because of the holiday, but, Hava announced, the open part, just around the corner could be visited during half an hour of free time later on.
We were guided to the elevator and arrived for the carpet demonstration in several small groups. I found a vacant spot next to the lady in the wheel chair. By now I knew that she was from Los Angeles and during the next hour I would find out that she had had back surgery a couple of weeks earlier and that she felt more than a hint of guilt toward her husband and son for the inconvenience of the wheelchair.

We all sat on long benches, in a rectangle, along three walls. The fourth wall was the backdrop to rolled up carpets and several young men in suits who would in intervals of a few minutes, carry one of them to the middle of the room and unfold it on the floor. It was the third carpet demonstration in my life. The first one had happened in Marrakesh, the second one in China.

This was also the most interesting demonstration. Or maybe it happened at the right time, allowing me to appreciate the work, the craftsmanship, the quality of materials, and the beauty of each piece. Or .... maybe it was the apple tea that enchanted me. When I took the first sip I knew I had to find some to take home. It was sweet and sour at the same time, strong, yet not overpowering in taste. In short, it was perfect.

So were the carpets. Handmade, often taking six to eight months to produce. There were old, typically Turkish designs and colors and there were modern carpets, inspired by the imagination of young art students. Cotton and wool were hand dyed with colors prepared from herbs, from insects, from natural sources. Several carpets changed color depending on the direction from which you looked at them. Never before had I thought that such a carpet would appeal to me. I still remember the worn out, thread bare "oriental rugs" of my childhood. But, as the manager said, hardwood floors are coming back and with that the desire to place pieces strategically around the home, and I had to admit to myself that I liked what I saw.

Well, I admitted to loving them as art pieces, but knew that I would never be able to afford one, not even at the discounted prices as quoted. Twelve thousand dollars for the beautiful and intricate shades of green? Four or five thousand dollars for the smaller piece, the red one that owed its deep coloring to lady bugs. But thank you for the tea and simit slice - he had called it Turkish bagel - and thank you for making me aware of the intrinsic beauty of handmade carpets. Up to now I had only been saddened and distracted by the knowledge that carpets were created by young Chinese girls who sat on wooden benches during long underpaid work hours and had to quit at age thirty because they could no longer see well enough to achieve perfection. And I had been angered by the relentless efforts of a Marrakesh salesman who tried to force me into buying his merchandise.

Once the demonstration was over, I left, escorted to the elevator by one of the sales associates. Back out on the street I smiled my way through several vendors offering scarves and jewelry. One very serious looking teen boy would not let go. He kept waving a black see through scarf in front of me.
"Forty Euros! Please! Real silk! Please!"
When I declined he told me to set my own price. I shook my head and told him I didn't need a scarf.
"Look! Look!" He held up a trio of square designs in plastic bags. "Only twenty Euros."after I had politely shaken off three or four more vendors the kid reappeared asking me several times "Why not"
I looked away and fled into Star Bucks. I think I have never taken a trip without fleeing into a Star Bucks. They make real coffee, not instant. They are relatively cheap. They have Wifi. They are everywhere. The name sounds like a piece of home.

"Caramel Frappuchino Grande, please!"
"9,50TL"
"Thank you."

Outside I picked a seat away from the street edge, opened my iPad, sipped the familiar cool drink and, for a few moments, watched vendors at their game. I tried to connect to Wifi but had the same problem as before in Istanbul. Everybody wants me to give them my mobile phone number so they can send me a verification code. My mobile phone is only good in the US. I sighed, sipped, watched until my half hour was almost over. On the way back to Matis and the bus the teen vendor reappeared.
He held up the black see-through scarf. "Five Euros. Five Euros."
He couldn't believe that I wouldn't buy it, but by then my mind was made up, no matter the price.
He kept trying to put the scarf in my hand, I hid my hand and averted my face. He looked angry. I pointed to the bus with my cane, " I have to go! Sorry!" Abruptly he turned to a woman passing to his left.
"Forty Euros! Please! Real silk!"

Next stop Topkapi Palace, the must see prime residence of Ottoman Empire sultans for 400 years. But I must admit, I was not really interested in the arms and weapons collection or the clock room, or the portraits of the sultans. Maybe the harem where wives and children and concubines spent their lives might have been something to explore, but it was not included. Much of Topkapi was closed to the public, and very long lines had formed in front of some of the open exhibits.

We had forty minutes on our own; there was plenty of outdoor ground to stroll through. I used half of my free time to shop at the museum store. Stroke of luck - I found the tea glass I had looked for the day before. For the rest of the time I sat under the shade trees on one of the benches that lined our meeting area. Watching Turkish family dynamics was like watching a play in a foreign language - some parts are universal and need no words; other parts are mysterious and make me want to ask questions. Mothers who are covered by long, uncomfortable-looking robes and head scarves are as fast, as observant, and as devoted to their children as are those in short skirts and t-shirts. Fathers, it seems, sit separately, with other men, and are less likely to push a stroller than their western counter parts. But just when I have brought some order into my observations a grandpa will get up and run after a little girl who has strayed from the family gathering. Or a young mother will pick up a crying child and plant her firmly on papa's lap.

When it was time to leave, Hava raised her orange umbrella and we walked to a restaurant not too far from the palace. Lunch in five courses was more than most of us were able to eat. We all were ready to talk up a storm, discussing our impressions of Istanbul. Our plates were loaded with humus and beets and cucumbers and meat filled pies and rice pudding, and, to my surprise, the conversation turned to homeland security and presidential elections, and the absurdity of a man named Donald Trump. It was, by far, the most political debate of my week spent in the company of world travelers on the Celebrity Equinox. The realtor from Washington DC, the couple from Scotland, their daughter who had lived in South Africa for a while, the young girl who sat to my left and smiled a lot, the realtor's wife on my right, an accomplished photographer, we all seemed to bond over an hour long meal at a crowded restaurant high above the Bosphorus.

Our final destination of the day-long tour was Hagia Sophia. It was the place I had most looked forward to. Trying to take a photograph and remembering how I had dropped my camera the day before, in an effort to juggle two straps, that of the camera and that of my cane, I hung the cane on an iron fence. After the shutter clicked I continued toward Hagia Sofia. I forgot the cane.
Naturally I had to backtrack as soon as I realized my mistake. And just as quickly as I hobbled to the entrance, Hava had disappeared. Unfortunately the orange umbrella I eventually found and followed was not Hava's and the next ten minutes had me twist and turn through crowds wondering how to proceed if I couldn't find #13.

But, at the Hagia Sophia Museum I met it again, the soul of Istanbul that I had encountered on my first day. It was like a silent prayer floating through this awe-inspiring architectural and historical wonder, combining cultural and religious traditions harmoniously, transforming ordinary comments by tour leaders and tourists into sacred ritual. Aya Sofia made the heat of the day disappear. It made my worries disappear. I stood in a sea of people to look at Christian iconographic mosaics and Islamic calligraphy high up on the ceiling. I smiled at stone and brick and marble and light. And though the church/mosque/museum had endured earthquakes and wars and fires and pillage and plunder, it felt like the most peaceful place on earth.

While I leaned against my cane, taking turns admiring the ceiling and craning my neck to find my tour guide, I saw that I stood next to the lady in the wheelchair. For an instant I felt that, deep down, it is all connected: the sacred and the profane, the old and the new, stone and human.

The thought that darkness and light live as closely together as the fear of being lost and the safety of being or having found was the perfect ending to the tour. Back on the bus, on the way to the Equinox, I folded up my travel cane and closed my eyes, dreaming of the upcoming, well deserved dinner hour.

Sunday, June 14, 2015

Time for the Beach. Time for a Cruise

For the month of June our Mother Bear Project Ravelry group concentrates on Bears of Summer. I have knitted only five of them, because my traveling bear, Tyana J Littlestring, needs a new outfit for our July cruise.

Bear 383 is wishing for a glass of pink lemonade



Bears 384 and 385, two brothers, lock forward to playing beach volleyball. Here you see them practice. And pose for that photo after the big win.
Only after I stood them side by side did I notice that one is taller than the usual twelve inches. I must have miscounted the rows. Oh well, just a bit more to love.















Finally, meet Bears 386 and 387, my two Ice Bears, well, Polar Bears with tiny freckles. They are complaining about the heat wave that shrank their ice berg.
(Which is a bunch of crumpled plastic wrap.)





And now to Tyana, who is begging me to take her along on my cruise. In the middle of July we will take off to Istanbul from where we will cruise to Mykonos, Malta, Sicily, take a bus ride along the Amalfi Coast and fly back home from Rome.




She has lots of clothes (as demonstrated by these two bins) but, as a rule, she gets at least one new outfit per trip.




Playground Adventure

Home Depot is such a lovely place. I walk up and down and look and suddenly here it is ..... the slide ..... well, it actually is a piece of plumbing ... But to me it looks like a perfect slide.



And once I take it home and crochet my way around it, it does really look like a slide. Maybe a bit small for my ball players, but it can be reused for the fairies when I continue on that project.



And now I am happy and can work on the players. Once they are finished I take a few pictures.












This completes another fifteen Bears to be shipped off to Minneapolis.






Here they are, Bears 368 to 382, down for one more nap before they fly away.

Sunday, May 17, 2015

Waves of Color and Other Ideas that Work.

Sometimes a word strikes me, sometimes a theme, sometimes a color. In April I was struck by a big box of yarn from a friend. I was even blessed with a few one pounders. And so it came about that I named April 7 "Geranium Day" in tribute to red yarn. Bears 364, 365, 366, and 367 are the result.












There is still a whole lot of red yarn left, but I needed a change of pace. The next group would be predominantly blue. Meet Bears 368, 369, 370, 371, 372.



Then I went with a three color scheme that included pink, yellow, and orange for Bears 373, 374, 375, 376, and 377.



By then I had gotten a bit tired of limiting colors and wanted to try something different. Checking out google images I came across an advertisement that said "Adidas Redesign 2013." Sometimes my ideas come from a quick glimpse of a photo. Often I don’t know if it will work for a Bear. Then I print out the picture, stare at it, squint at it, begin to knit, have lunch with partial Bear and design, and maybe, just maybe, it will work. Such was the case with Bear 378. At first I was excited over starting him. But then I had to give him a rest for a few hours. Do I want to make a group of basketball players? Hmmmm……….





Another thought quickly attached itself to the ballplayer idea. What about a basketball hoop?



Oh well, I had to yarn-bomb some PVC pipes to get there, but the idea stuck.
But the boy looked a bit underdressed. He needed a baseball cap. Yes, I know, I am mixing sports. Boys will be boys.
I am working on boy number two now. A while ago I had lunch with him. He suggested a playground.







Soon I will be on my way to Home Depot to find a slide. You haven't yarn-bombed until you have yarn-bombed a slide on a playground.

Tuesday, March 31, 2015

What my mind ponders while I knit.


It begins with brushing my teeth in the morning. I trust that everybody who works on my water system has made sure that it is potable. My morning oatmeal is not poisoned- that is another assumption I make without even paying attention to the fact that I make it. Later, my car is part of a traffic system that is properly coordinated. I enter a building which has a roof that will not collapse just because a few workers were tired and sped up the process by skipping an important procedure and tossing three boxes of nails into the trash. Nobody in my ordinary day cheated in a task performed. Not a single person, though maybe a few had bad days, risked my safety by using a short cut. Thank you world. Thank you people. Thank you for not messing with my trust.

Recently I read a book about a woman who lived in a war torn country. Nothing could be taken for granted in her life. Streets were blown away by bombs so she had to take a different way to the grocery store. When she arrived she could not depend on full shelves and a selection of goods. At home there often was no electricity. The water might be shut off. Or it might contain contaminants. She could not trust that anything she encountered today would be the same tomorrow.

How does the human mind deal with this? Do we go crazy? Can we adjust? Do those who are exposed become hardened? Do they become desensitized? Rebellious? Sick?

How do I prioritize my responses? What loss do I mourn and which senseless act do I sweep under the rug? Whom do I hate? And whom do I pull more closely into my corner?

Behind everything stands a human being. At least one. Probably a group of them."They" don't take into consideration my well-being when they act. Or do they? Which ones do?

And, if I get on an airplane tomorrow morning, expecting to be at my destination some eight hours later, what are my chances that something in the long list of events surrounding my flight will go wrong? Let's say that the copilot, who smiled at me when I walked past him on my way to my seat, lets say he suddenly, about two hours into the flight, has an uneasy feeling. He tries to dismiss it; he has had this experience before and knows how to deal with it. Only this time it doesn't go away. He happens to be one of "these people," the ones who are, right now, being discussed on TV shows everywhere. He has periods of depression. Everything looks bleak. Well, you get my point .... What will his next step be?

All of this was brought to my attention while I was knitting this morning, with one word - TRUST. I can only imagine how difficult life would be if I didn't trust that the majority of issues are in good hands.. And yet, the only person I have control over is I. Which puts all ethical responsibility squarely on my shoulders.

".....and," she said, " a silent wind swept over me, brushing my cheeks ever so slightly, reminding me to be good. As if it all had started with me and would, forever, be up to me to do the right thing."

With this little paragraph it felt as if I had resolved all problems. My thoughts went back to the Art Bears. Today is the last day for the project and I think that I need to write about the group that I finished.

In my last post I discussed Bears Jackson #350, Marcia #351, Linnea #352, and Cinnamon #357.

Bear #353, his name is Anselm, came to be Anselm Kiefer's muse for a day at the museum. (Remember, this is my little game to get as many Bears knitted as possible) Anselm tries to interpret the landscape that is his favorite, a brownish earth with pink and blue flowers.



Bears 354 and 358 adore Paul Gauguin. They always act in unison, like twin sisters. They want to show us the boldness that is Paul's landscape. They are Pauline and Paulette.



Bear 355 is named after Franz Marc. Her colors are probably best described by what he once said, "Today we are searching for things in nature that are hidden behind the veil of appearance. We look for and paint this inner, spiritual side of nature."



Bear 356 is MiniMe. She wants to be a reminder of my much younger self, when I played at being a painter and happily danced away the nights.







Bears 359, 360, and 361 are Ophelia, Penelope, and Quiturah. They say they are their own art piece, daring in color and spirit.






Bear 362 is the Little Prince from Antoine de Saint Exupéry's book, the first book I read in three languages, French, German, and English, while I was still in school.









And finally, the last Bear in this group, Bear 363, Adanna, is dedicated to color. She embodies the happy spirit that seems to be in all children, and certainly will be in the child who will become her friend at the end of her long journey to Africa.