Friday, June 26, 2009

Field of Dreams

Bears Number 104 and 105



Bears Number 106 and 107


My new project for the year has been, since early spring, the growing of herbs and tomatoes. I had estimated my monthly cost for herbs from the grocery store at about twenty dollars. Add to this the price for tomatoes, which I eat almost daily, and I thought “doing my own thing” would give me a chance to save money. Beginning in January I started to grow basil, chives, parsley, oregano, and sage in domed planters by the kitchen window, eventually transplanting the seedlings into larger planters and transferring those to my front porch. Tomatoes came to my house as small plants, five of them; a friend brought me two more last month.

I have three things to say about my little garden. First, I love to just walk out in the evening and “snip” some flavor to add to my meal. Secondly, even though friends giggle when I tell them that I harvest one to three cherry tomatoes a day, I am having a great time testing the different varieties. The third thought I have about the project: it costs more than I had hoped. Well, all the gardening books I bought probably raised the price of a tomato to ten dollars. But the fun I have, growing, harvesting, eating, journaling, photographing is worth the money I invested.

And so, because I don't want the Bears to feel neglected, I allowed Numbers 104, 105, 106, and 107 to romp through my “Field of Dreams.”

Wednesday, June 24, 2009

Doppel-U and an Ode to Joy

Bear 103 The Memory Maker



Looking back, it seems, is a pastime for an older person. Usually the young, filled with hopes and dreams, have little patience for the past. Besides, their pasts are only short distances away. The person in the middle of life, who is either working on fulfilling dreams or decrying the misfortune of not having found them, is too busy to take a look backwards. That leaves the ageing. We not only have the time for travels on roads of “long ago,” we seem to have the desire to reflect on the flowers we found along the perimeters of our journeys.

I am on the road right now, sitting at my desk, glass door wide open to the breeze, knitting needles dictating the rhythm of my thoughts, sunlight filtering through tree branches, a mockingbird singing one hundred verses of longing. A perfect morning.

Something particular stimulated my mind to wander; it was a package that had arrived in the mail yesterday. It came from Germany. A CD that I had stumbled upon as a result of a google search. Amazon.de was willing to ship it to me for a price almost as high as that of the CD itself. I cringed, but defended the cost after listening to one track online. I was drawn into the rhythm, copied the text, practiced saying the words in double my normal speed. I relish the “Ode to Joy” in this new format.

The CD claims to be an interactive rap learning experience. On the cover Doppel-U, the young rapper, appears in front of a statue of the two most famous German writers, Goethe and Schiller. The book accompanying the music encourages children to recite eighteenth century poetry to modern beats.

This morning, as I flip from page to page in the book, I suddenly find myself in a classroom full of twelve-year olds, reciting “The Sorcerer’s Apprentice” by Johann Wolfgang von Goethe. I play the CD and more poems come to life. They seem to be my friends, as familiar as if I had spoken their words all through my life. I must have known them all by heart a long time ago. I see my language teacher raising her hand to direct the rhythm of the verses. She smiles at me. I am amused. Looking at the combination of modern beat and old poetry I guess one doesn’t have to stay on familiar roads; sometimes new roads lead to the past as well. I must remember that.

Something else I must remember – and my knitting needles click their approval as I continue with my thoughts – a child in the beginning stage of creating memories might also be in the end stage of his or her life. No matter how long or how short the life, a Bear becomes a confidante, a creator of scenes, and scenery. “The Bear and I” images will collect in the child’s mind to make the bad days “bearable” when the road narrows.

I therefore call Bear Number 103 the Memory Maker!

Tuesday, June 16, 2009

Beware of Camel Bottom

Bear Number 102

While I am trying to come back fulltime to the Bears for Africa my thoughts still travel in various directions. I think of my stash. Of unfinished projects. One of which is a knitted tote bag. It involves ten skeins of yarn. Ten skeins from seven different countries. The ambassadors of my daughter’s four months trip through the middle of Europe, a slice of North Africa and the tip of Turkey. Two come from Morocco, one brown the other gray. Soft. Easily torn. Spun from the coats of camels. Two skeins traveled from Belarus. A sunflower yellow and a bright green. She explained that they remind her of country houses in Minsk.

“As local as it gets,” she said.

A fluffy two-stranded gray- brown- beige ball arrived from Prague. The yarn from Lithuania is similar in texture but stronger in tone. The label is printed in a mix of German and English words, telling me that the yarn is made in Italy. My daughter’s comment accompanies its soft texture.

“The dark blue one is from Vilnius; it reminded me of the sea and since Lithuania is a Baltic country it seemed appropriate.”

Ah, but there are two from Vilnius. The second one is a large, grey, unruly skein, bought from a farmer. Homespun. An opportunity she couldn’t resist. The label on the light blue yarn from Gdansk looks German; no domestic yarn sold in Polish shops, it seems. And the pink yarn from Istanbul is actually a cotton blend with European influence. I asked about the Ukraine and Slovakia. We found a pale blue-gray ball of thinly spun wool in a forgotten package. Bought in L’viv. Or L’vov, as it used to be called. But what about Slovakia?

“I was sure a little mountain village would have yarn, but I couldn’t find any,” she answered.

I took photographs of these foreign treasures, and labeled them with the countries of origin. I imagined color sequences. That’s when I first thought of knitting a bag. It would be a shoulder bag, lined with cotton, probably zippered or closed with a button. After looking at several patterns online I realized how difficult it would be to combine the varying weights of yarn into a smooth surface. There was only one answer. Felting. In the old days felting was the unwanted result of inexperienced washing of wool fabric, but in recent years it has gained art status, because only wool can be felted; acrylic yarn does not respond much to hot water and prolonged agitation.



I did felt the bag. Imagine my disappointment when the bottom thinned and holes appeared. Was it because the Camel yarn was too loosely spun? Maybe the fiber was too short? Or I just didn’t make a good decision in agitating the bag in my washing machine in hot water. Whatever the reason, the camel yarn bottom has to be reinforced, which means the bag is waiting for further action. In the meantime I photographed it with “make-believe” flowers, paper cutouts to stand in for the flowers I will crochet from the yarn of Belarus and Istanbul. The bag imitates a landscape with brown and green for the land, blue for the sea, and light blue for the sky. It is, perhaps a utopian landscape foiled by the unpredictability of a Camel bottom.

Bear number 102 appreciates the commotion, slipping into the baggy photo session to show off his beautiful colors. He makes me smile while I carry the unfinished tote back to the “waiting room” and continue to knit Bears.











Sunday, June 14, 2009

Knitting in Public



All of us, I’m sure, wonder about the workings of our minds sometimes. Mine has been in a state of mixed emotions, unsorted projects, and unfinished tasks lately. This morning I decided to celebrate its ambiguity instead of chastising its neglect. I laid my unfinished Bears on the kitchen table, raised my coffee cup and toasted the un-armed, the half-sewn, the faceless, and those still attached to a ball of yarn, their growth depending on two bamboo sticks.

I would have given my mind a “thumbs up” except I couldn’t imagine it nodding approval to the mess. Then I thought of yesterday’s four and a half hours “Knitting in Public” and the boost it gave me to bring order into my knitted entanglements. If I can sit on a folding chair on a busy sidewalk, cars backing into parking spaces behind me, joggers, cyclists, dogs, absentminded cell phone enthusiasts almost brushing against me, and amplified musicians competing with car noises and conversations, I can certainly spend today FINISHING a few Bears.

I still wonder what makes my mind shift so easily from one state to another. Yesterday morning I sighed when I passed the pile of unfinished Bears in the back room. Today I am stuffing heads and embroidering faces. Is there a trick to motivation? Did being surrounded by other knitters make me want to be more organized? I certainly had a good time visiting with old acquaintances and meeting the women and men who sat alongside me, but what I had hoped for did not happen. The “Public” in general did not slow its pace. Did not stop and ask questions about knitting, about the Mother Bear Project, about Africa, about those who are the recipients of the Bears. Occasionally a child cast an interested look toward the Bears in the stroller, one even tugged on her mother’s arm. But the “Public” is in a hurry. No time for an unplanned event. A deadline has to be met. Things need to be done.

The mind is an interesting part of the self. Curious at times. Confused maybe. Slow to respond. Suddenly enthusiastic again.

“Will one completed Bear make a difference?” it asks.

“Yes,” is the simple answer, coming from somewhere beyond doubt. “Yes! And you are the only one that can motivate the fingers to act.”

I am happy to report that the fingers are, right now, racing toward the kitchen table.



"World Wide Knit in Public Day at "Green Planet Yarn"

Friday, June 12, 2009

World Wide Knit in Public Day

Bear 101

Tomorrow, Saturday, June 13, 2009, is World Wide Knit in Public Day. In 2008 I celebrated the event by knitting on the train, on my way to San Francisco and the Frida Kahlo Exhibit. Two days later an ambulance took me to the hospital with chest pains and a doctor implanted a stent into my right coronary artery to allow sufficient blood to flow to my heart. I went from zero to ten pills in a day.

A year has passed. I dropped my blog, but finished my 100 Bears for Africa project. I took a cruise to Alaska, a trip to Guernsey in the Channel Islands, a train to a snowy Truckee, and buses to various other locations in California. I suffered a few anxiety attacks dealing with chest pains that turned out not to be heart-related. For the most part my confidence in life’s routine has returned, but I still mourn my independence – always making sure I have my medication with me and sometimes worrying what it would be like not to have access to my daily pills.

Since my “big scare” I have knitted less and walked more, though gradually the desire to knit teddy bears for Africa returned. Several of them are waiting to be photographed; several are in a state of “almost finished” and some just found sponsors in my “Exploring Literature” group. Thank you, friends!

I have dedicated Saturday, June 13, 2009 to the Mother Bear Project. In the above photograph Bear Number 101 practices being my “poster child” for the World Wide Knit in Public Day. He is the first of my next 100 Bears. And tomorrow I will be sitting in front of the Green Planet Yarn Shop in Campbell, knitting Bears, enjoying the company of many others with busy fingers and creative minds.